Molins Horror Film Festival 2026 – Molins de Rei, Spain

What to expect

Molins Horror Film Festival, also known as TerrorMolins, is one of Spain’s established genre-film festivals and is dedicated to horror cinema, short films, independent filmmaking and international genre discoveries. The 2026 edition is the festival’s 45th edition and places found footage at the centre of its artistic identity. The organisers describe found footage as a particularly immersive form of horror because its rough, realistic visual language can make fictional events feel like genuine recordings.

The festival combines competitive cinema with premieres, special screenings, retrospectives, professional activities, family programming and events aimed at different generations of horror fans. The programme ranges from supernatural horror and slashers to extreme genre cinema, found-footage productions and short films.

A major attraction for international visitors is the festival’s strong connection with filmmakers. The programme includes appearances, presentations and professional activities rather than simply offering a conventional cinema schedule. The 2026 edition is particularly significant because Daniel Myrick and Eduardo Sánchez, directors of The Blair Witch Project, are scheduled to attend the closing programme and receive the festival’s Tribute Award.

The festival also extends beyond the physical cinema programme through online collaborations. TerrorMolins has announced a special FILMIN collection dedicated to found footage containing 17 titles, together with an expanded TerrorMolins selection on 3Cat.

For dedicated horror fans, the experience is therefore much broader than watching a few films. Visitors can combine premieres, competitions, filmmaker encounters, short films, special events and the festival’s famous long-form horror marathon.

Festival dates

Molins Horror Film Festival 2026 takes place from 6–15 November 2026 in Molins de Rei, Catalonia, Spain. It is the 45th edition of the festival.

The festival programme is spread across individual feature screenings, short-film blocks, double sessions, family events, special screenings, professional activities and the traditional 12-hour horror marathon.

The official programme confirms that La Peni Theatre in Molins de Rei is the principal screening location for many of the listed sessions.

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Venues & festival locations

The principal venue is La Peni Theatre in Molins de Rei. A large part of the published 2026 programme is scheduled at this venue, including the opening session, official short-film competition, feature screenings and the 12-hour horror marathon.

La Peni provides the festival with a central location in the town and is the key place for visitors who want to experience the main cinema programme.

The festival has also historically used other cultural locations for activities outside the principal theatre. Previous editions included spaces such as the Ca n’Ametller exhibition hall and El Molí Library, demonstrating that the wider festival can extend beyond its main screening venue.

Visitors should therefore check the official programme entry for each activity rather than assuming every event is held at La Peni.

Full programme

The 2026 programme brings together several strands of horror cinema, allowing visitors to choose between mainstream genre titles, independent productions, experimental works and short films.

The main programme includes:

• Official Feature Film Section
• Official Short Film Section
• Ç-Trencada short-film competition
• Family sessions
• Children’s short-film programming
• Being Different
• Bloody Madness
• Found-footage selections
• Double feature sessions
• Special screenings
• Professional and industry activities
• ANGOIXA Award activities
• Microstory competitions
• 20 Seconds of Terror
• 12 Hours of Horror Cinema
• Tribute and closing events
• Online programming through FILMIN and 3Cat

The first announced feature selection includes Colony, Leviticus and Teenage Sex and Death at Camp Miasma, alongside a wider selection of international titles.

The programme also includes V/H/S/MIXTAPE, which is particularly relevant to the edition’s found-footage theme. The film is presented as the latest instalment in the V/H/S anthology series and brings together filmmakers including Ernest R. Dickerson, Flying Lotus, Tobias Forge, David Moreau and RZA.

For younger audiences, the festival includes family and children’s sessions, while dedicated sections allow more specialised audiences to seek out alternative, extreme or unconventional horror.

Featured films & premieres

One of the most important opening titles is Los que vienen, the feature debut of Víctor Català. The film is presented as a Catalan premiere and is accompanied by Caye Casas’s short film Amor de padre.

Colony is another highlighted title. Its story involves a scientific conference, a bio-terrorist threat and an unfolding outbreak in Seoul, combining survival horror with infection and zombie-related elements.

Leviticus offers a supernatural approach, while Teenage Sex and Death at Camp Miasma brings a queer slasher perspective into the programme. These titles demonstrate the range of contemporary horror being presented rather than restricting the festival to one specific style.

V/H/S/MIXTAPE is particularly important for anyone interested in the festival’s central theme. The anthology uses multiple directors and stories to explore the found-footage format through different visual and narrative approaches.

The festival is also using its online programme to deepen its exploration of found footage. The special FILMIN collection contains 17 titles, including Exists, Be My Cat: A Film for Anne, Gags the Clown, Home Movie, Phoenix Forgotten, The Borderlands, The Fear Footage and The Tunnel.

Directors, actors & guests

The headline guests for the 2026 edition are Daniel Myrick and Eduardo Sánchez, the directors of The Blair Witch Project. Their participation is especially appropriate because the film is one of the defining works associated with the found-footage style.

The festival has announced that both filmmakers will attend the closing event, receive the Tribute Award and present a special screening of The Blair Witch Project. Their joint European appearance is being presented by the festival as a major closing attraction.

Víctor Català and Caye Casas are also closely connected with the opening programme through Los que vienen and Amor de padre.

The festival has also announced its 2026 juries. The Official Feature Film Section jury includes screenwriter and director Asier Guerricaechebarría, film communicator and analyst Noelia Guerra, and filmmaker, screenwriter and videogame designer Sergi Vizcaino.

The Official Short Film Section jury includes filmmaker Marie-Hélène Van Thuyne, Galician Freaky Film Festival director Juan de Castro and film communicator and programmer Noemí Navarra. Additional juries cover sections such as Being Different, Bloody Madness, Ç-Trencada, Critics and Industry.

Screening schedule

The official programme provides a detailed schedule with sessions at La Peni Theatre. The opening programme features Los que vienen and Amor de padre, while subsequent sessions cover short films, children’s programming and individual feature screenings.

The published programme includes:

• Opening Session: Los que vienen + Amor de padre
• Family Session: Shaun the Sheep: The Beast of Mossy Bottom + A Touch of Ouija
• Ç-Trencada Short Films
• Official Short Film Section – Block 1
• Official Short Film Section – Block 2
• Victorian Psycho
• Leviticus
• Teenage Sex and Death at Camp Miasma
• Colony
• Goody Goody + No Rest for the Wicked
• Anymart + Sleep No More
• Nameless + Hot Spot
• Saltpeter + Upiro
• I Love Paris + Orfeo
• Recluse + V/H/S/MIXTAPE

The 12 Hours of Horror Cinema is another major programme feature. Its announced selection includes No Way Down, River, Never After Dark, a surprise film, Janur Ireng and Black Sheep.

The official website should be checked before travelling because individual session information and ticket availability can change as the festival approaches.

Ticket types & accreditation

The festival has put tickets on sale for its 2026 programme, with individual screening tickets available through the official website. The organisers have also promoted season tickets, allowing committed visitors to secure access across the programme.

The Festival Pass is particularly useful for visitors planning to attend numerous screenings. The festival specifically stated that pass holders could redeem their marathon ticket before general ticket sales opened.

Some activities have free admission. For example, the published family session is listed as free admission, while other screenings use individual paid tickets.

Current 2026 ticket prices should be checked through the official ticketing system because the festival’s accessible programme pages do not provide a reliable single price list covering every ticket category.

For historical reference only, earlier festival accreditation information indicated approximately $11 for press accreditation and approximately $22 for industry accreditation after conversion from the published euro amounts. These figures are not confirmed 2026 prices and should not be treated as current ticket prices.

Industry & professional access

TerrorMolins maintains a dedicated professional and industry programme alongside its public screenings. This makes the festival relevant to filmmakers, producers, critics, programmers, distributors and other professionals working in genre cinema.

One of the main professional initiatives is the ANGOIXA Award, which supports the development and production of horror short films in Catalan. The award has been strengthened for the 2026 edition through collaboration with ALDA Productions.

Nine finalist projects have been selected for the ANGOIXA Award pitchings. The initiative is intended to connect creative projects with production support and professional opportunities rather than functioning only as a conventional film competition.

The festival also has an established press-accreditation process. Media professionals interested in covering the event can apply through the official accreditation system.

The 2026 industry programme demonstrates the festival’s wider role in supporting Catalan genre filmmaking and giving emerging horror creators opportunities to meet established professionals.

Red carpet & special events

The opening and closing sessions are among the most important special-event experiences. The opening programme combines Los que vienen with Amor de padre and introduces the edition’s contemporary Spanish and Catalan horror focus.

The closing programme is expected to be one of the most significant moments of the festival because Daniel Myrick and Eduardo Sánchez will appear together for a tribute and special screening of The Blair Witch Project.

The 12 Hours of Horror Cinema is another signature event. Rather than a conventional single screening, it is designed as an extended horror experience in which audiences remain together for a sequence of films, including a surprise title.

The festival’s online expansion is also a notable special feature. The FILMIN found-footage collection gives audiences another way to explore the theme, while 3Cat continues its collaboration with TerrorMolins through Catalan horror content.

Festival rules

Visitors should follow the admission conditions associated with each individual screening because age ratings, ticket requirements and access arrangements can vary between films and activities.

Tickets or appropriate accreditation should be kept available when entering the venue. Popular screenings may reach capacity, so visitors should avoid arriving immediately before a screening if they want to secure a preferred seat.

Recording or disruptive behaviour inside screenings should be avoided, and audience members are expected to follow instructions from festival staff and venue personnel.

Filmmakers submitting work should consult the specific official competition regulations. TerrorMolins has separate calls for feature films, short films, 20 Seconds of Terror and other competitions, each with its own eligibility and submission requirements.

Visitors should also pay attention to age recommendations because horror films can contain strong violence, disturbing imagery, sexual content or other material unsuitable for younger audiences.

How to get there

Molins de Rei is part of the Barcelona metropolitan area, making it convenient to combine the festival with a stay in Barcelona.

The most straightforward option for many visitors is rail travel to Molins de Rei followed by a walk through the town centre to La Peni. This can be particularly convenient for visitors who do not want to drive or deal with parking.

For international travellers, Barcelona is the main gateway. Barcelona-El Prat Airport provides the largest range of international connections, after which visitors can continue towards Molins de Rei using the metropolitan transport network or a taxi.

Driving is also practical for visitors travelling from elsewhere in Catalonia or Spain, although parking close to the theatre can be more limited during busy sessions.

Public transport & parking

Public transport is a practical choice for festival visitors because Molins de Rei is connected to Barcelona and the surrounding metropolitan area by rail.

La Peni is located in the town centre, making the final part of the journey manageable on foot after arriving in Molins de Rei.

Visitors travelling by car should allow additional time for parking, especially for popular evening screenings and major special events. Parking spaces immediately around the central venue can be limited.

The best strategy for drivers is to identify a car park before leaving for the screening and then walk the remaining distance to the theatre. This is preferable to relying on finding a street parking space immediately beside the venue.

Accommodation areas

Molins de Rei is the most convenient location for visitors who want to stay close to the festival. Staying locally reduces the need for late-night travel after evening screenings and is particularly useful for visitors attending multiple sessions.

Barcelona is the strongest alternative for travellers who want a much larger selection of hotels, hostels, apartments, restaurants and nightlife. It also provides the greatest choice for international visitors.

Visitors concentrating on the 12-hour marathon should consider staying as close to Molins de Rei as possible. This avoids depending on late-night public transport after an extended cinema session.

Other towns in the Barcelona metropolitan area can also work, particularly for visitors travelling by car, but transport connections should be checked carefully before booking accommodation.

Food & dining

Molins de Rei has a range of cafés, bars and restaurants around its central areas, allowing visitors to eat between screenings without necessarily travelling into Barcelona.

For a full festival day, it is sensible to plan meals around the screening timetable. Afternoon and evening sessions can leave relatively short gaps, so visitors attending several films may prefer a quick meal or café stop close to the venue.

Barcelona provides substantially more choice for international cuisine, Catalan food and late-night dining. However, visitors staying in Barcelona should allow sufficient travel time to reach Molins de Rei for their chosen screening.

For the marathon and other extended events, bringing water and planning food breaks in advance can make the experience considerably more comfortable.

Accessibility

Accessibility information should be checked directly with La Peni and the festival before attending. The theatre has accessibility limitations, so visitors with mobility or other specific requirements should not assume that every area or facility will be fully accessible.

The festival’s family programming also demonstrates an effort to create more inclusive experiences. Previous TerrorMolins activities have included special formats intended to make selected children’s cinema experiences more comfortable for audiences with different sensory and cognitive needs.

Visitors requiring wheelchair access, accessible seating, assistance or other accommodations should contact the organisers before purchasing tickets whenever possible.

The official programme should also be consulted for each individual activity because accessibility arrangements may differ according to the space being used.

Best screenings to attend

Best for found-footage fans: The Blair Witch Project is the obvious choice because Daniel Myrick and Eduardo Sánchez are scheduled to attend the closing event. It also directly connects with the central artistic theme of the edition.

Best opening experience: Los que vienen + Amor de padre offers a strong introduction to the festival, combining a Catalan feature premiere with a short film.

Best for contemporary genre discovery: Colony, Leviticus and Teenage Sex and Death at Camp Miasma are among the most prominent titles from the first 2026 programme announcement.

Best for anthology horror: V/H/S/MIXTAPE is particularly appropriate for this edition because it directly embraces the found-footage tradition through multiple filmmakers and stories.

Best for short-film discovery: The Official Short Film Section is ideal for visitors interested in emerging directors and compact horror storytelling. The programme divides the competition into two blocks.

Best for hardcore horror fans: The 12 Hours of Horror Cinema is the festival’s ultimate endurance experience, combining several feature films with a surprise screening.

Previous year’s highlights

The previous edition was particularly successful for TerrorMolins. Organisers reported more than 10,000 in-person spectators and described the edition as achieving the festival’s best attendance and fundraising figures to that point.

Gaua, directed by Paul Urkijo, was the leading award winner, receiving Best Film, Best Direction and Best Special Effects and Makeup. Rabbit Trap also performed strongly, winning Best Screenplay, Best Cinematography and Best Performance for Dev Patel.

The Official Short Film Section awarded Whitch the Best Short Film prize as well as the Manel Gibert Audience Award. Other sections recognised films including Her Will Be Done and Flush.

The previous edition also featured professional meetings, international guests and parallel activities alongside its cinema programme. The traditional 12-hour horror marathon remained one of the major closing experiences.

The strong attendance and award programme provide useful context for the 2026 edition, particularly because TerrorMolins continues to combine international genre cinema with a strong commitment to Catalan horror production.

Official tickets & accreditation

Official tickets and the latest programme are available through the Molins Horror Film Festival website. The festival confirms that screenings are on sale and provides the current schedule and individual ticket links.

The official festival website is: https://www.molinsfilmfestival.com/

Press and professional visitors should use the festival’s accreditation information rather than purchasing standard audience tickets when they qualify for professional access.

The festival’s published contact details are +34 638 88 16 35 and info@molinsfilmfestival.com.